Post by Spencer Starnes
This is my final project for my first photography class at UArts this year. The assignment was "Emulation". The purpose was to emulate a successful, published, fine art photographer. I chose William Eggleston.
William Eggleston was given his first camera, a Leica M3 in 1958, by 1978 his work was hanging in the MoMA. A sign of profound artistic acceptance. Especially for color photography. At the time his photography was displayed color wasn't viewed as an viable artistic medium.
Henri Cartier-Bresson has been cited by many as a major influence for William Eggleston. John Szarkowski, a friend of Eggleston, said that 'The decisive moment was a decisive influence on him.' For me, this is easy to understand. Both Eggleston and Cartier-Bresson take pictures as observers or reality, not creators.
Eggleston’s use of a process called Dye-transfer Printing gives him the ability to make his prints extremely vivid and colorful. Unfortunately, the advantages of this technique cannot be displayed on a computer screen, Eggleston himself even said that he felt that his books didn't properly embody his work.
In an interview, Eggleston was asked how much time he paid attention to framing the image, he responded simply by saying, "Quickly." After being pressed in the interview to respond in a more concrete manner, he finally said that he takes the image where he is standing, how he sees it, with little thought. I suppose that is well reflected in his images. In fact, I noticed in a documentary that he rarely takes more than one picture at a time. He feels that it is a waste of a frame and that makes the decision process too difficult when it comes to printing. Much of his work focuses on the intrigue found with in the ordinary and the mundane. He is known for saying that he is, "at war with the obvious.”
In his book, William Eggleston, all of his images are separated in a series of two. Which are often called Diptychs. At times the connections between two images is vague and confusing. There are a few sets of images, such as this one, in which I cannot find a link between them. Perhaps a quote from a drunk William Eggleston would best sum it up. “Trouble is, whatever is about pictures, photographs, it;s just about impossible to follow up with words. They don’t have anything to do with each other. - I think, you can say it has nothing to do with words. . . Art- what we call it, you can love it, you can talk about it, but it doesn't make any sense.
In my emulation I focused on the two things that make this book so appealing to audiences. The first is the focus on the beauty found in the mundane. The second, is the power of comparisons and what you can say with that. You can use all sorts of devices to a vast variety of make statements and observations. Devices like color, texture, geometry, subject matter, selective focus, positive and negative space are all employed in this project.
Clicking any of these images will expand them to a more acceptable resolution. Like always, high quality archival prints are for sale in limited quantities. If you are curious about pricing please contact me via this form.

